|
Victor F. Perkins (born 1936, Devon) is a British film critic, best known for his work on film aesthetics and interpretation. He has taught at the University of Warwick since 1978. His son is the Labour Member of Parliament for Chesterfield, Toby Perkins. Most famous for his first book, ''Film as Film'' (1972), which quickly became a core text in Film Studies courses everywhere, Perkins has had a great influence on the way in which film is studied and has become internationally known for his sharp intellect and jargon-less approach to the critical analysis of film. Victor Perkins still lectures at Warwick University. He continues to write and give papers on film analysis at home and abroad. == Select bibliography == *"The British Cinema" in MOVIE No.1, 1962 *"Why Preminger?" in MOVIE No. 4 (November 1962) *"The Cinema of Nicholas Ray," ''MOVIE'' No. 9, May 1963., reprinted in Ian Cameron (ed.) ''Movie Reader'', New York, 1972, and in Bill Nicholls (ed.), ''Movies and Methods Vol 1'', California, 1976. *"55 Days at Peking" in ''MOVIE'' No. 11. *"Cheyenne Autumn" in ''MOVIE'' No. 12, Spring 1965. *"Supporting the British Cinema" in ''MOVIE'' No. 16, Winter, 1968-1969. *"America, America", ''MOVIE'' No. 19, Winter, 1971–1972 *''Film as Film'', Penguin Books, 1972. *"Moments of Choice" in The Movie, ch. 58, reprinted in Ann Lloyd (ed.), ''Movie Book of the Fifties'', Orbis, 1982. *"Letter from an Unknown Woman" (the Linz sequence ) in ''MOVIE'' 29/30, Summer 1982 *"Must We Say What They Mean ? Film criticism and interpretation" in ''MOVIE'' No. 34, October 1990 *"Film Authorship - the premature burial" in ''CineAction'', No. 21/22, November, 1990 *"In a Lonely Place" in Ian Cameron (ed.) ''The Movie Book of Film Noir'', Studio Vista, 1992 *"Johnny Guitar", in Ian Cameron & Douglas Pye (eds.) ''The Movie Book of the Western'', Studio Vista, 1996. *''The Magnificent Ambersons'', British Film Institute, 1999. *"Ophuls contra Wagner and Others" in ''MOVIE'' No 36, January 2000. *"I Confess - Photographs of People Speaking" in ''CineAction'' No 52, September 2000. *"'Same Tune Again!' - Repetition and Framing in Letter from an Unknown Woman " in ''CineAction'' No 52, September 2000. *“Where is the world? The horizon of events in movie fiction” in John Gibbs and Douglas Pye (eds.) ''Style and meaning: studies in the detailed analysis of film'', Manchester U.P., 2005. For an in-depth examination of Perkins' career, see: Jeffrey Crouse, "Fueled by Enthusiasms: Jeffrey Crouse Interviews V. F. Perkins," ''Film International'', 2004:3, pp. 14–27. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「V.F. Perkins」の詳細全文を読む スポンサード リンク
|